From 'Spank to Shank

If you happened to miss my announcement on Twitter, Friday was my last day at Hothead Games. It was a very amicable parting and I'm definitely going to miss my Hothead comrades. But they've got a tremendous amount of talent (believe me, Swarm is already fantastic and is only going to get better between now and its release early next year), so I think they're going to be alright.

What lured me away from the awesomeness of Hothead? I had accepted a position as Technical Designer at Klei Entertainment! For those unfamiliar, Klei most recently released Shank. If you've been reading this blog for any amount of time, you've noticed I spend a lot of time thinking about design and creating novel experiences. I accepted the position with Klei because doing that is basically my mandate and I'll be leveraging my technical background to do so effectively.

This isn't the first time I've worked for Klei either. I actually worked for them in late '08 to early '09. But Klei has changed a lot as an organization since I was last there. When I was there initially, they were working on Sugar Rush, a free-to-play brawler for Nexon (the closure of Nexon's Vancouver studio is what precipitated having to leave Klei for Hothead originally). Now they've just released a digitally distributed game based on original IP they created and own. And the plan is to keep doing that. This is exactly the space I want to work in and the kind of organization I want to work with. I'm really excited about coming back to Klei and the kinds of things we'll be able to do together.

Coincidentally, exactly two years ago, I was doing this exact same thing: taking a week off to play the newest Fallout before starting a job at Klei. I think I'll probably make some time to make a game and do some reading, but I'd be lying if I said I wasn't going to see much of the Mojave Wasteland this week. I haven't had any proper time off since my honeymoon in August '09, so I'm looking forward to a week of fewer obligations.

Finally, both DeathSpank and Shank are coming out on Steam tomorrow! If you haven't played either, there's a 15% off Steam package deal for both that should still be live if you're reading this early enough. I obviously can't speak for Shank, but we put a *lot* of work (way more than I thought we'd need to, honestly) into making the PC version of DeathSpank feel good. Genuinely native, not like some knock-off port. And the game looks damn good too, in my rather bias opinion. The pallet really pops at PC monitor resolution and the characters/environments scale up real nicely. I'm glad we can finally show off our awesome artist's work at the resolution it deserves. That's enough shilling (although it's not like I get any kickbacks now), but if you haven't had a chance to play DeathSpank yet, this is the version I'd recommend.

Thanks again to anyone who has taken the time to read this and I'm looking forward to putting some of these mad ramblings into action at Klei.

How to Survive Losing Your Job in the Games Industry

I hope you will forgive that it has been nearly two weeks since my last post. Things have been ... busy, to say the least. Last Tuesday, the 27th, I was laid off from my job as a programmer at Klei Entertainment. We were working on Sugar Rush, a game for Nexon North America (Humanature Studios) and when Nexon Global closed the studio completely, Klei's project furthest in development no longer had a publisher. Completely understandably, our CEO had to tighten the belt and being the newest hire, I was let go. While large companies ala Disney or Nexon seem to be laying people off to placate nervous shareholders rather than out of legitimate financial necessity, I understand that at small organizations layoffs are sometimes unfortunately necessary. Klei is a fantastic organization with absolutely awesome people, and I learned tons while I was there.

I don't fault Klei for what had to be done, but it was a particularly horrifying experience in that countless other Vancouver game developers have been laid off recently. Talking to a local recruiter, he said that in that last six months, nearing 900 game developers in Vancouver have lost their jobs. Open positions are scarce and fiercely competitive. This is probably the worst time in quite a while to be looking for a job in game development in Vancouver. Despite this, two days after I was laid off I had an interview at an awesome studio and yesterday I accepted an offer from Hothead Games (yes, that means I'm going to be working with Ron Gilbert. Needless to say, I'm excited out of my skull).

Considering how many good folks have lost their jobs recently, I thought I would write up my experience and the things I felt helped me land on my feet. I'm not going to pretend to be some kind of authority, saying "do this, don't do that." I'm just relating my tale and hoping someone(s) will find it useful. I figure I've got to be doing something right if I was able to move from one dream job to another with such expediency. These adages probably apply to other industries as well, and I don't think there's much that's terribly game dev-specific here.

In my humble opinion, to succeed in the game development business and survive being laid off requires two things:

1) Doing great work
2) Let others know about this and take interest in their great work

(An optional rule 0 could be the one that adorns the cover of The Hitchhiker's Guide to the Galaxy: "Don't Panic.")



It sounds trivial to the point of naiveté, but I honestly believe it to be true. For the former, doing great work doesn't just include what you do between 9 and 5, it also means seeking ways to improve what you do outside of work. When playing games, instead of just zoning out, think about what works in the game and more importantly, why it's compelling. Try playing some boardgames or tabletop RPGs and see how they tick. Work on some side programming projects with a new language or framework. I get up at 5 AM to play games, write or read about games/programming/other things of interest (see my rants about The Devil in the White City).

For the latter, get involved with the local game dev scene in your area. Go to IGDA events, pub nights with other industry folk, take an interest in their projects. Help out with Child's Play charity events. Blogs are a great resource too; I've learned tons in conversations I've had with bloggers who write critically about games. You have to be genuinely interested in others though, not just as a means to an end. This sounds like something out of How to Win Friends and Influence People, but it's true that almost anyone can tell when someone is just looking to use them.

Events like the Global GameJam are a chance to do both of these at once. I participated in Vancouver's last weekend and it was a tremendously valuable experience (upcoming post on that specifically soon). I must say that was pretty disappointed by the fact that aside from myself, one other industry programmer and one faculty member, everyone at Vancouver's GameJam was a student or recently graduated and not working. I understand that the last thing many want to do after a week of work is basically more work that's especially exhausting and without pay, but opportunities to just get together with a group of people and go through an entire game's lifecycle are very rare.

The importance of these two things is should you lose your job (or just be looking for a change), these are the people that will help you land your next gig. They'll tell their coworkers that you're a solid, capable person and the company would be making a grave mistake to let someone else get a hold of your skills. They might let you know about other opportunities. Hell, they might even leave their jobs to form a new studio with you.

Obviously, luck is always going to factor in. There are circumstances that are always beyond one's control, but what you want to do is try to make the most of the things you can control. I realize all of this is tremendously obvious, but I'm always shocked by how content some folks are just to keep their heads down and not be noticed. But if you're not willing to take the time to become really good at what you, it might be hard to compete against those that have.